On the road to Brussels
European filmmakers' manifesto to EU Institutions
We, European filmmakers, create in a particular place. Our films reflect our European cultures in all their diversity and specificity. Our images, our languages, and our narratives are our wealth. Our past and present history is the fertile ground of our works. Today, we call for a “Europe of Culture”!
Because this culture is in danger. Cinema and the audiovisual sector are in danger.
Cinema is an art. In this, it carries a responsibility: to offer at once a point of view, a thought, and a spectacle. In Europe, since its invention by the Lumière Brothers, cinema has carried a cultural mission, an integral part of our rich heritage. To support this cultural actor, we have built an industry. It is now strong and dynamic. It is in this sense that we consider cinema both as an art and as an industry.
European cinema has developed and flourished over the decades. Faced with Hollywood’s economic hegemony, European filmmakers have, with much less money, offered an incredible diversity of viewpoints and a vibrant freedom of expression.
Today, in the context of an economic war with the United States – Donald Trump having personally wished for the weakening of European legislation to strengthen American digital players – the European Commission tends to neglect the cultural dimension of cinema, thereby risking reducing policy for this sector to mere market regulation, disregarding its cultural and artistic specificity.
Yet, considering cinematographic and audiovisual works as mere commodities, subject solely to market rules, would mechanically favor American productions. This would be disastrous – for our profession, for the diversity of films offered to audiences in Europe and around the world, and for the plurality of narratives and viewpoints necessary for democratic life and the flourishing of individuals.
We demand that the legislation and support mechanisms of the European Union continue to recognize and frame cinema and the audiovisual sector as cultural sectors – including in their commercial dimension – through the maintenance of the principle of Cultural Exception. In Europe, each film is a prototype, a unique proposition that does not necessarily respond to a market demand. This has never prevented great commercial successes.
This is how we conceive of the 7th Art. As an art – a risk, a renewed proposition each time. And as an industry – which sustains thousands of Europeans. These principles have made us highly competitive: European cinema is the third largest in the world and the leading cinema when it comes to co-producing the works of filmmakers from other continents.
The economic war launched by the USA is also a cultural war! We, European filmmakers, declare ourselves mobilized, ready to defend without wavering the cultural specificity of cinema and the audiovisual sector.
In the current context, we understand that the European Union may wish to strengthen its action in the fight against disinformation or in promoting media pluralism. But we refuse that this dynamic be used as a lever to extend its regulatory competence over cinema and the audiovisual sector as cultural sectors. Already governed by European instruments, these areas must not become bargaining chips in trade negotiations. They are fully part of the European cultural exception, which is our collective responsibility to preserve.
European culture is not negotiable!
The role of the European Union is to defend our values, our identities, our wealth, our languages, our freedom
of thought, our expressions through our art.
Thus, to respect the beautiful diversity of our 450 million citizens. We, filmmakers from all countries in
Europe, call for a renewed Europe of Culture!
European filmmakers signatories
Steve ACHIEPO, Fleur ALBERT, Debora ALESSI, Gianni AMELIO, Lionel ARAZI, Alfredo ARCIERO, Kate ARLEY, Pupi AVATI, Enzo D’ALÒ, Mattia BARBATI, Deborah BELFORD DE FURIA, Lucas BELVAUX, Yamina BENGUIGUI, Julie BERTUCCELLI, Duska BISCONTI, Oriane BONDUEL, Raffaele BURANELLI, Chiara CACCAVALE, Mimmo CALOPRESTI, Ciro De CARO, Olivier CASAS, Stefania CASINI, Malik CHIBANE, Romain COGITORE, Christophe COGNET? Isabel COIXET, Francesco COLANGELO, Francesca COMENCINI, Michele CONFORTI, Pappi CORSICATO, Catherine CORSINI, Philippe COURTIN, Valerio CRUCIANI, Didier D'ABREU, Jean Pierre et Luc DARDENNE, Paola DEI, Quentin DELCOURT, Stéphane DEMOUSTIER, Caroline DERUAS, Sylvain DESCLOUS, Evelyne DRESS, Philippe FAUCON, Chryssa FOROU, Marine FRANCEN, Anna Di FRANCISCA, Patrizia FREGONESE, Jean-Raymond GARCIA, Beppe GAUDINO, Renzo GENTA, Giancarlo GERMINO, Myriam GHARBI, Bernard GILHODES, Adriano GIOTTI, Giorgio GLAVIANO, Judith GODRECHE, Miguel GOMES, Maria GRAZIA CASSALIA, Paolo GUERRIERI, Caroline HALLIER, Rachid HAMI, Ted HARDY-CARNAC, Agniezka HOLLAND, Eva HUSSON, Pierre JOLIVET, Rahmatou KEITA, Cédric KLAPISCH, Gérard KRAWCZYK, Sébastien LAUDENBACH, Antonio LAURO, Claude Lelouch, Guillaume LEVIL, Jean LUDWIGG, Francesca MARCIANO, Fabio MARSON, Sebastian MAULUCCI, Carlo MAZZOTTA, Patricia MAZUY, Radu MIHAILEANU, Dominik MOLL, Fabio MOLLO, Christian MUNGIU, Federica MARTINO, Laura MUSCARDIN, Toni OCCHIELLO, Pierre H. OLLIER, Lorenzo ONGARO, Gisella ORSINI, Claudia Di PAOLO, Agnès PATRON, Bernardo PELLEGRINI, Alessandro PERRELLA, Emma PERVOLOVICI, Nora PHILIPPE, Giuseppe PICCIONI, Leone POMPUCCI, Marco PONTECORVO, Luisa PORRINO, Stefano PRATESI, Paolo QUAREGNA, Francesco RANIERI MARTINOTTI, Damien RIBA, Michele RIONDINO, Marco RISI, Alice ROHRWACHER, Antonio ROMAGNOLI, Francesca ROMANA MASSARO, Giovanni ROMANO, Alessandro ROSSETTI, Stefano RULLI, Laura SABATINO, Lyes SALEM, Thomas SALVADOR, Isabella SANDRI, Giacomo SCARPELLI, Irene SCIALANCA, Guillaume SENEZ, Davide SERINO, Andrea SORRENTINO, Francesca STAASCH, Kristoph TASSIN, Giuseppe TORNATORE, Massimo TORRE, Giorgio TREVES, Alessandro TRIGONA OCCHIPINTI, Gianluca TRIA, Tommaso TRIOLO, Mathieu VADEPIED, Caroline VIGNAL, Axelle VINASSAC, Rossano VITTORI, Denis WALGENWITZ, Zoé WITTOCK
up-to-date 05/16/2025
- AIDAC - Associazione Italiana Dialoghisti Adattatori Cinetelevisivi
- ANAC - Associazione Nazionale Autori Cinematografici
- ANART - Associazione Nazionale Autori Radiotelevisi
- AUT - Autori
- 100autori - Associazione dell'Autorialità Cinetelevisiva
- L'ARP - Société civile des Auteurs Réalisateurs Producteurs
- ARPi - Association des Réalisateur.rice.s-Producteur.rice.s indépendant.e.s
- ARRF - L'Association des réalisateurs et réalisatrices de films francophones
- BVR - Bundesverband Regie
- CENDIC - Centro Nazionale di Drammaturgia Italiana Contemporanea
- Comitato Organizzativo #siamoaititolidicoda
- Directors Guild of Cyprus
- European Film Academy
- RAAI - Registro Attrici Attori Italiani
- SACD - Société des Auteurs et Compositeurs Dramatiques
- SRF - Société des réalisatrices et réalisateurs de Films
- Union des artistes
- WGI - Writers Guild Italia
What is the cultural exception?
Why is it so important for EU's sovereignty?
" We do not consider culture as a commodity. "
Emma Rafowicz - Member of the European Parliament & Vice-Chair of the Committee on Culture and Education
" Objectively, legally, culture is not at the heart of the European Union's competences. "
Olivier Henrard - Acting Chairman of the CNC
" The authorities have transformed the audiovisual and film industries into a purely industrial and technological activity. "
Radu Mihaileanu - Filmmaker & Vice-President of ARP